The Place of Jesus’ Crucifixion
There are two traditional sites in Jerusalem that tourists and pilgrims revere as the likely location of Golgotha–the place where Jesus was crucified. The oldest and most revered is of course the 4th century Church of the Holy Sepulchre, the holiest site in Christendom. It is located in the Christian Quarter, inside the present Old City walls and was built by queen Helena, the devout mother of Constantine, the first Christian Emperor. Roman Catholics, Eastern Orthodox, Armenian, and Coptic Christians share the veneration and operation of the site. Many Protestants prefer an alternative site, outside the Old City walls, just north of the Damascus Gate near the bus depot. It is commonly referred to as the “Gordon’s Calvary” or the Garden Tomb, after its “discoverer,” the British general Charles “Khartoum” Gordon. Gordon suggested the location on a visit to Jerusalem in 1882, impressed by the elevated craggy rock outcropping that he thought resembled a skull, and a nearby ancient tomb with an entrance sealed with a rolling stone.
There are photos of both sites in my book, The Jesus Dynasty (chapter 14) as well as a brief discussion of some of the problems with each site. Some years ago I encountered the view that the crucifixion took place on the Mount of Olives, as expressed in a little book published by the late Ernest Martin titled The Place of Christ’s Crucifixion: Its Discovery and Significance (Foundation for Biblical Research, 1984). This book is long ago out of print though used copies can still be found at Amazon and other sources. Martin later expanded his views in a subsequent volume, Secrets of Golgotha: The Forgotten History of Christ’s Crucifixion (ASK Publications, 1988), which I reviewed in Critical Review of Books in Religion 1991, pp. 213-214. Personally, I always preferred his first, much shorter work, as it focused on the location of the site itself, whereas the subsequent expanded volume contained a lot of theological ideas that Martin held about the atoning death of Jesus per se.
Although Martin independently came to his view that the crucifixion of Jesus took place on the Mount of Olives, after publishing his first work he discovered the views of Nikos Kokkinos (1980) who had developed a somewhat different argument related to the notion that the crucifixion would have taken place at the scene of Jesus’ arrest, based on Roman law, thus near the Garden of Gethsemane at the foot of the Mt of Olives. Later Martin also noted the views published by W. J. Hutchinson in the Palestine Exploration Quarterly (1873, 115; also 1870, 379-381), that Jesus’ crucifixion must have taken place somewhere east of the Temple Mount. Since Martin’s work was published and his views regarding the Mt. of Olives have become better known, quite a few others have taken up various aspects of his arguments as a simple Web search will reveal.
The basic case for the Mt. of Olives being the site of Jesus’ crucifixion rests on several interrelated arguments of varying evidential strength.
1) The first, and in my view, the strongest, is a passage in the New Testament book of Hebrews (13:10-13) that speaks of “going outside the city gate,” to a specific altar that was not inside the Temple, but “outside the camp.” This is a clear and unmistakable reference to the Eastern Gate, leading to the Mt of Olives, and the Miphqad altar located on its slopes. It was at this spot that the Red Heifer (parah ‘adamah) was burnt to provide the essential ashes for cleansing all things related to Temple worship (Numbers 19). The Talmud and Mishnah are clear that this altar was located 2000 cubits, outside the Eastern Gate, on the slopes of the Mt. of Olives (bYoma 68a, mSanhedrin 6:1). The author of the book of Hebrews makes use of this essential sacrificial practice, “outside the camp,” to establish the legitimacy of Jesus being crucified “outside the gate.” Rather than a gate on the north of the city, the Eastern Gate is really the only one that would make sense in this passage. This image of the Red Heifer, that had to be “without spot or blemish” was picked up by the early Christians as the most fitting allegorical image of Jesus’ own cleansing sacrifice, with the “sprinkling” of his blood likened to that of the water prepared with the ashes of the Red Heifer. The writer of Hebrews, preserving pre-70 AD traditions, subsequently lost after the destruction of two Jewish Revolts and the establishment of Jerusalem as Aelia Capitolina by Hadrian, clearly knows the geography of Jerusalem and is able to make a very effective point to his readers based on Jesus being crucified east of the city, outside the gate, on the Mt. of Olives.
2) The Acts of Pilate (aka Gospel of Nicodemus IX.5) preserves a tradition that Jesus was sent away by Pilate with two malefactors named Dysmas and Gestas, to be crucified in the garden where he was arrested–Gethsemane, which all our gospel sources agree was across the Kidron on the slopes of the Mt of Olives. As Prof. Kokkinos demonstrated, this was in keeping with Roman law.
3) The Hebrew Gospel of Matthew (preserved by Ibn Shaprut in his work Even Bohan), published by George Howard, refers to the site of the crucifixion, in Hebrew, as Har Golgotha, which means a “mountain” or “hill,” and certainly not the little outcropping of rock preserved at the stone quarry where the Church of the Holy Sepulchre now stands.
4) Josephus says that during the Jewish revolt (66-70 AD) thousands of Jewish victims were crucified “before the wall of the city,” in order to terrorize the population. This description fits perfectly with the Mt. of Olives, before the main city gate, with the Romans camped just to the north on Mt Scopus. This was the only location that could be seen by anyone in the city of Jerusalem, thus providing a visible warning to those who might be tempted to sympathize with rebels.
5) In the time of Jesus, Jewish tombs, other than the tomb of David, had been moved at least 2000 cubits “outside the city,” (Tosephta Baba Bathra 1:2), to avoid ritual contamination. This indicates that the tomb in which Jesus was temporarily placed by Joseph of Arimathea, was, of necessity, far outside the area where the Church of the Holy Sepulchre stands today–just a few yards from the city wall. That is why we find the tombs of Helena, the high priests Annas and Caiaphus, and the Sanhedrin tombs, well beyond this 2000 cubit parameter. No one was carving a “newly hewn tomb” that close to the city wall in the 1st century, and the tomb area there today most likely dates back to Hellenistic times.
The traditional site of the Church of the Holy Sepulchre fits none of this evidence. By the time Constantine’s mother, queen Helena came to Jerusalem, in the early 4th century, there was no memory of the original tomb of Jesus or the site of the crucifixion, as that oral tradition, that would have belonged to the Jerusalem Church, led by James and Simon, brothers of Jesus, had long ago perished. The tomb and monument area she was shown, by a stone quarry, most likely was the tomb of John Hyrcanus, that is often mentioned by Josephus as precisely in that area.
Back in 2005 when I was working on The Jesus Dynasty I commissioned the artist Balage Balogh, highlighted in my previous post on this blog, to paint a crucifixion scene on the Mt. of Olives based on my own exploration of the site. I had located a bedrock area, flat and just above the site of the miphqad altar, that resembles a “skull” with natural pockets of indentations, that seemed to me to be a very likely possibility for the actual site. It is directly in front of the Eastern Gate, looking into the courtyard of the Temple. Nearby are lots of 1st century tombs, as well as a oil-press (Gethsemane/Gat Shemen means “press of oil), and lots of Olive Orchards. None of these features fit the quarry area just north of the 1st century city wall, where the Church of the Holy Sepulchre stands today. Balogh was most exacting in his work on this scene, as he is with all his work. He made the victims nude, he placed the nails as they should be, in the wrists and ankle bones, and he positioned the soldiers, the family gathered in front of the scene, and the bystanders, in their proper grab. The results are so breathtaking and startling, that I asked Simon & Schuster, my publisher, to print the painting in color in the inside back cover of the hardback edition–making that edition, now out of print but with a few copies available on Amazon as a “bargain” book, a collectors item.
Frankly, the image of Jesus dying, overlooking the city of Jerusalem, on the very slopes of the mountain he had ridden down a week earlier, is surely one of the most touching scenes of human history. To this day there is a north path that goes up to the area of crucifixion I have proposed and a southern path that goes down, from Bethany, both worn deep into the bedrock.